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Henri Cartier-Bresson is one of the finest image makers of our time. Born in 1908, he studied painting before embarking on a career in photography in the 1930s. In 1940 he was captured by the Germans and spent three years in prisoner-of-war camps before escaping to join the Paris underground. With Robert Capa, David Seymour and others, he founded the photographic agency Magnum in 1947. Since then his work has taken him all over the world - from Europe to India, Burma, Pakistan, China, Japan, Indonesia, Bali, Russia, the Middle East, Cuba, Mexico, the United States and Canada. This new collection of work by Cartier-Bresson, created on the occasion of his ninety-fifth birthday, provides the ultimate retrospective look at a lifetime's achievement. It includes the first photographs taken by him, a significant number of which have never been published, rarely seen work from all periods of his life, classic photographs that have become icons of the medium, and a generous selection of drawings, paintings and film stills. The book also features personal souvenirs of Cartier-Bresson's youth, his family and the founding of Magnum. Cartier-Bresson's extraordinary images are shaped by an eye and a mind legendary for their intelligent empathy and for going to the heart of the matter. This definitive collection of a master photographer's work will be an essential book for anyone interested in photography - indeed, for anyone interested in the people, places and events of the last century.
- Sales Rank: #1429841 in Books
- Published on: 2003-04
- Original language: English
- Number of items: 1
- Dimensions: 1.58" h x 11.48" w x 10.46" l,
- Binding: Hardcover
- 432 pages
Amazon.com Review
Henri Cartier-Bresson spent four decades traveling the world as a photojournalist in search of what he called "the decisive moment"--the instant when visual harmony and human significance coalesce. Published in honor of his 95th birthday, Henri Cartier-Bresson: The Man, The Image & The World is a handsome volume that reproduces more than 600 photographs, film stills, and drawings and includes essays by art, photography, and film experts. Trained as a painter in his native France, Cartier-Bresson began his photography career during a trip to the Ivory Coast in 1931. After shooting his way through Europe, Mexico and the U.S., he became an assistant to filmmaker Jean Renoir and directed documentaries in support of the Spanish Civil War. Imprisoned by the Germans during World War II, he escaped to document the liberation of Paris. More than a quarter-century of magazine photography followed—-including vivid glimpses of modern life in India, China and the Soviet Union—-before he put aside his camera in favor of his sketchbook. Cartier-Bresson's ability to capture peak moments resulted in unforgettable single photographs, like that of a woman in a group of former concentration camp prisoners who suddenly recognizes her Gestapo informer and reaches out to hit her. His constant watchfulness led to images that capture fleeting emotion—-lust, pride, despair, expectation, glee—-on the faces of people going about their daily lives in grim cities, sleepy villages, and vast landscapes. Shaped by compassion and a self-effacing absence of personal judgment, these photographs reflect a worldview no longer fashionable but forever relevant to human understanding. —Cathy Curtis
From Publishers Weekly
Cartier-Bresson's photos of everyday scenes were apparently bothersome to an audience accustomed to the abstract work of Steiglitz and Strand. But his snapshots were a new and powerful way of documenting the world: an astrologer in 1947 Bombay; a 1967 control room at Cape Kennedy, Fla.; a 1954 "sports gala" in Moscow. He "improvised, incorporating the effects of chance and accident as he went along," writes Philippe Arba‹zar of the BibliothŠque Nationale de France in an essay called "The Public Eye: Shows and Exhibitions." Saul Steinberg even made him a fake diploma authorizing Cartier-Bresson to become a photographer, as if his work needed legitimacy. With quotes from MoliŠre, Virgil, Verlaine ("Memory, memory, what do you want of me?") punctuating the chapters, and more than 600 of Cartier-Bresson's photographs and even drawings, films and books, this is indeed a comprehensive and stunning retrospective, carefully printed and showing the huge oeuvre's variations. Complemented by essays by Peter Galassi of MoMA and Serge Toubiana of Cahiers du Cin‚ma, among others, the book coincides with the opening of the Henri Cartier-Bresson Foundation in Paris, as well as the photographer's 95th birthday.
Copyright 2003 Reed Business Information, Inc.
Review
This is indeed a comprehensive and stunning retrospective, carefully printed and showing the huge oeuvre's variations. -- Publishers Weekly, 28 April 2003
Most helpful customer reviews
1 of 1 people found the following review helpful.
Best and Complete Henri works and life images
By Enche Tjin
First of all, I am surprised with the size and quality of the book. It is not hardcover, but the cover jacket is very well made. All pages are black and white, good quality art paper. The book consists of most Henri Cartier-Bresson works from 1930's to 70s. Amazingly it also consists of his work (painting and drawing) after he retired as photographer. It also has some interesting critiques and commentaries from his friends and scholars.
For people who does not know Henri, he is regarded as the father of street photography and photojournalism. He is one of the founder of highly respected Magnum photo agency. During his life, he works for magazine such as LIFE, Harpers Bazzaar, Vu, Regards, etc. In 1950, he wrote about his photography philosophy of Decisive Moment which means not only means capturing the significant moment, but also must be presented in the most artistic composition.
This is by far the most complete book about Henri Cartier-Bresson that I ever read, and I highly recommended for everybody who is interested on pursuing photojournalism or admirer of his body of work and life. Please check out more review at my blog radiantlite dot com.
16 of 17 people found the following review helpful.
A Great Tribute
By David A. Wend
This is a wonderful book. I can think of no better volume about the life work of a photographer that this one of Henri Cartier-Bresson. The book has 602 illustrations consisting of M. Bresson's photographs, his paintings and drawings and family photographs. The family photographs are among the most interesting since we have collected, in one volume, probably all of the photographs taken of the photographer (including an interesting seated portrait of M. Bresson as a prisoner of war). There are some excellent essays by the editors about the photographer and the formulation of the "decisive moment" and his work but the photographs are allowed to speak for themselves.
The photographs are placed in the order M. Bresson published them. Each section of photographs is preceded by a quote that has a bearing on the pictures and a small picture of the cover of the original book is included with the photographs. Each picture is simply captioned with the place or circumstance and the year it was taken. Many of the images are famous and there are also many discoveries that will enthrall the view. The photographs are reproduces in different sizes and some are smaller than I would like but the overwhelming majority are nicely laid out and grouped. There are excellent appendices that give publication information on M. Bresson's photographs and a timeline of his life.
In short, this is a marvelous book that anyone interested in photography must have. The comment by another reviewer concerning the size of the volume was no problem for me: my bookshelves can accommodate any size of book. But even if I had no space on my shelves, I would make room for this volume.
21 of 22 people found the following review helpful.
A superb comprehensive collection of HCB's photography
By Graham Wootton
This title is in my opinion by far the best, most comprehensive single book on the works of Henri Cartier-Bresson ever published, or ever likely to be published. The selection of photographs is huge and they are printed superbly on very heavy fine art paper. The accompanying essays provide a very useful insight into Henri Cartier-Bresson's approach to photography, in particular into his concept of the "decisive moment". The sections on his life provide further substance to the book and raise it well above the level of a coffee table publication. My only (very slight) reservation is that because of the huge number of photographs included, not all could be printed at full-page size and several of my favourites are reproduced a little small. However, the title in its present form is already the heaviest in my collection by a considerable margin and to make it any thicker would have made it too difficult to manage. This title is great value for a fine art book of such quality - if you have any interest in HCB at all, get it!
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