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Purgatorio: The Divine Comedy of Dante Alighieri, Vol. 2, by Robert M. Durling
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In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.
- Sales Rank: #217448 in Books
- Brand: Dante Alighieri/ Durling, Robert M. (EDT)/ Martinez, Ronald L. (INT)/ Turner, Robert (ILT)
- Published on: 2004-04-08
- Original language: English
- Number of items: 1
- Dimensions: 6.00" h x 2.10" w x 9.20" l, 2.13 pounds
- Binding: Paperback
- 720 pages
Review
'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.'
-The Christian Science Monitor
'A useful volume for students and first-time visitors to Dante's cosmos.'-
Publishers Weekly
'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.'
-Library Journal
'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.'
-Robert Harrison, Professor of Italian, Stanford University
"As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch
"Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England
"At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia
About the Author
Robert M. Durling is Professor Emeritus of English and Italian Literature at the University of California, Santa Cruz. Ronald L. Martinez is Professor of Italian at Brown University. Their works together include Dante's Inferno and Purgatorio and Time and the Crystal: Studies in Dante's "Rime petrose."
Robert Turner has been a professional illustrator for thirty years.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Purgatorio is Pretty Interesting
By Alex C. Telander
In the second volume of Dante's Divine Comedy, Purgatorio, Dante continues his journey from hell into purgatory, continuing to be guided by the skilled hand and mind of Virgil. Dante must climb up the Mount of Purgatory, beginning at the bottom with Ante-Purgatory, then the seven terraces - seven levels of suffering and spiritual growth - as associated with the seven deadly sins; at the very top is Earthly paradise. Just as in the first volume, Inferno, Dante continues to discuss politics and the Church in general, as well as relating to his own experiences during the writing of the Divine Comedy in the fourteenth century. Familiar characters in Dante's life again play a part, as he makes his intentions of them all too clear. It is in this volume that Dante is reunited with his long-lost love, Beatrice.
In this shorter introduction, Robert M. Durling and Ronald L. Martinez go into some detail on when this second volume was likely begun, how and when it was exactly written and how Dante was influenced by events and happenings in his life in the writing of it. Just as with the first volume, detailed notes are provided at the end of each canto, explaining locations, historical references, and short biographies on the people mentioned and what relevance they had to Dante. With these priceless details, any reader can pick up this translation of the Divine Comedy, and not feel lost or overloaded by all the historical setting, peoples and details, but are skillfully guided along Dante's unique journey.
At the end of the text are further detailed notes and fifteen short essays covering Dante's political views, his respect and use of Virgil and Ovid, his original conceptions of homosexuality, and on moral growth, to name a few. Durling and Martinez also explore similarities and possible linkages with the three volumes in analyzing similar cantos, their possible relations to each other, as well as the numbering system used in each volume. At the end is a bibliography and extensive index, allowing the reader to travel about the text freely and with little hindrance.
With this second volume, Durling continues what he began with Inferno, keeping the reader hooked with this accurate translation, along with the original Italian on the left-hand page, as Dante's true skill as a storyteller and descriptive writer are brought to light as never before.
Originally written on April 10, 2011 ©Alex C. Telander.
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2 of 2 people found the following review helpful.
Great Literary Work and Staple in for Anyone Studying Italian
By Michelle Bacci
I took a class on all of Dante's divine comedy and absolutely LOVED it! I was an Italian minor in college and so I really looked forward to this as it's a super important literary work and a staple in Italian art, literature, and culture.
This was definitely the middle of the three books in terms of how much a liked it, but is still a great literary work. I don't know how someone could just read one of the books and not finish all three. As for the translation, I though it was very accurate. My professor spoke fluent Italian and English and he seemed to find this translation very useful. He also has a doctorate in Italian literature so I really trust his opinion, a very intelligent man who knows the Divine Comedy inside and out.
I think a lot of the complexity of this work was lost on me because I never intensely studied literature. However, my class had half literature majors and they offered really great insight into this work as a whole.
2 of 2 people found the following review helpful.
The Best Translation Yet
By Hector R. Venegas
I have owned several editions of The Divine Comedy but this edition translated by Martinez and Durling is the best I have seen so far. I am able to read some degree of the original Italian by Dante and feel that I can make a reasonable comparison of this new translation with previous ones. Now, I look forward to acquiring the Martinez and Durling translation of the Paradiso in the paperback edition as soon as it is available.
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