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Clowns: A Panoramic History of Fools and Jesters, Medieval Mimes, Jongleurs and Minstrels, Pueblo Indian Delight Makers and Cheyenne Contra

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Book by John H. Towsen
- Sales Rank: #2562637 in Books
- Brand: Brand: Hawthorn Books, Inc.
- Published on: 1976-11
- Ingredients: Example Ingredients
- Number of items: 1
- Dimensions: 20.00" h x 20.00" w x 20.00" l,
- Binding: Paperback
- 400 pages
Features
- Used Book in Good Condition
Most helpful customer reviews
12 of 12 people found the following review helpful.
The definitive book on the history of clowns...
By M. Hagerstrom
If you are interested on the history of clowns, this is the book for you. Accurate, informative, interesting, and engrossing. Enough said.
9 of 9 people found the following review helpful.
The bible of clowning
By Tanya Z. Solomon
As a performer and theater history enthusiast, I've read most of the books on clowns out there. This is far and away the best: a marvelous work of research, delightfully written. Why is it so hard to find?
7 of 7 people found the following review helpful.
One of the very few great books on the History of Clowning
By D. Jando
John Towsen's "Clowns" is a classic, and perhaps the best book ever written on clowns and their history in the English language. (There is another one, "Clowns and Pantomimes" by Maurice Willson Disher, but it was first published in... 1925!) Mr. Towsen's study is very well and deeply researched, and encompasses the history of clowning around the world, mostly in Europe and of course in America.
There are only four books on the history of clowning that are, in my opinion, worth reading: the aforementioned "Clowns and Pantomimes", Tristan Rémy's "Les Clowns" (1945), both of which were included in Mr. Towsen's research, André Sallée and Collective's "Clown et Farceurs" (1979), and John Towsen's "Clowns". Two are in English, two are in French. The rest either target a very limited field, or are just compilations of clichés and anecdotes more or less rooted in reality.
Clowning, which is a theatrical form that eventually found its way in the circus, but remains a stage form as well, is a style of comedy that is by and large very little known and understood today, and is much too often limited to the perception of a cartoonish image of an outrageously made-up individual doing pratfalls in the ring.
Yet, Joe Grimaldi in England, Dan Rice and George L. Fox in the U.S., for example, were stars of the first magnitude in the nineteenth century -- and neither Grimaldi nor Fox ever set foot in a circus ring. In the early part of the twentieth century, one could fill a circus or a theater with the names of Grock or the Fratellinis. And of course, one could fill movie houses with the names of Charles Chaplin, Buster Keaton, or Harry Langdon, who were indeed clowns in their own right.
So there is much to learn in John Towsen's intelligent and widely researched study about an art form that is still very much alive (see for instance the hit Broadway show "Full Moon" with two star clowns, Bill Irwin and David Shiner, in the 1990s). At a time when clowning, and especially stage clowning, experiences a renaissance, Mr. Towsen'd book is a must-read for aspiring clowns, theater historians and journalists, and for anyone with a curious mind.
Dominique Jando
Editor/Curator, Circopedia.org
See all 35 customer reviews...
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